Critical Race Theory and Copyright in American Dance
Auteur : Caroline Joan S. Picart
Date de publication : 2013-11-07
Éditeur : Springer
Nombre de pages : 243
Résumé du livre
The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loíe Fuller, George Balanchine, and Martha Graham.